{Review} The League of Frightened Men (Nero Wolfe #2) by Rex Stout

The League of Frightened Men (Nero Wolfe #2) by Rex Stout
Published by Crimeline (first published 1935)
Paperback, 320 pages
ISBN 0553259334
Genres: adult fiction, classics, detective fiction, mystery

4/5 stars: This is the second installment in the Nero Wolfe series and equals the first, Fer-de-Lance, in wit and charm. The plot is perhaps not as fast-paced and the ending feels a tad anti-climactic, but it is certainly original, clever and worth reading. Once again Rex Stout proves his skill in managing large numbers of characters as this story involves a group of thirty men convinced two of their number have been murdered, the rest are in mortal danger, and that they know who the man responsible is. Wolfe and Archie must investigate the two suspicious months-old deaths, keep tabs on their suspect, and attempt to minimize the inevitable hysteria. These seem like simple tasks compared with making sure no one else is mysteriously bumped off, and Archie, along with Fred, Orrie and Saul, part-time legmen of Wolfe's, are led on a wild goose chase when another of the men disappears. I am pleased to say the reader becomes much more acquainted with Archie in this volume, and perhaps the part I enjoyed the most is when he, proud as always of his independent and ultra-masculine attitude, unashamedly exposes some of his vulnerabilities. To see such an unusual and unexpected side of a character is always fascinating, but in this case it is truly heartwarming (read: I wanted to give Archie a giant hug). Wolfe's response is admirable and indicates a familial and touching relationship between them that is not often actively demonstrated. While the mystery itself is unique and interesting, the exploration into Archie and Wolfe's characters alone makes reading The League of Frightened Men worthwhile.

Mary Beth

{Review} Fer-de-Lance (Nero Wolfe #1) by Rex Stout

Fer-de-Lance (Nero Wolfe #1) by Rex Stout
Published by Bantam, first published 1934
Paperback, 199 pages
ISBN 0553249185
Genres: adult fiction, classics, detective fiction, mystery

5/5 stars: I was introduced to Nero Wolfe when A&E premiered its fantastic 2000-2002 television series starring Timothy Hutton and Maury Chaykin. It is fun, quirky, has great period costumes, makeup and sets, and (most importantly) employs intelligence and witty humor. It was only a few years later when I read my first Nero Wolfe mystery that I realized how perfectly the cast and scriptwriters have captured the spirit of the books. And what's more awesome? As great as the show is (if you haven't seen it, it's worth finding!) the books are even better. Fer-de-Lance, the first in a series of 47, does not feel like a debut in the least. The characters are fully realized and the plot is interesting, clever, and wrapped up with an original and unpredictable resolution. If mystery series are a regular part of your reading routine, you'll know this is pretty unusual. The first in a series has the responsibility of setting the scenes, establishing typical character behavior, habits and manners of thinking, as well as methodology in the solving of the crimes. Rex Stout does this seemingly effortlessly and while avoiding overloading the reader with information. Fer-de-Lance has an interesting array of characters, quite a few, in fact. With Rex Stout's great narration and descriptions, however, it's not difficult to keep everyone's identities sorted out and each one plays an essential role. Nero Wolfe and legman Archie Goodwin immediately take center stage and never leave it, their bantering, detecting and Wolfe's occasional philosophizing entertaining the reader from start to finish. They possess huge personalities, Wolfe so much larger than life that the reader finds it impossible not to be fascinated and more than a little jealous of his pertinacity and brimming repertoire of experiences and knowledge. Archie is full of life and energy and makes the perfect narrator, being the practical one, perhaps, whose often cynical approach to life balances Wolfe's unfailing confidence (which often awakens the urge in Archie to knock something heavy over Wolfe's very large head). In short, they complement each other perfectly, and each is indispensable. While it is perfectly believable that at one time they conducted their lives independently, as far as the reader is concerned there is no Wolfe without Archie and vice versa. It feels heretical to admit this, but honestly, I enjoy reading Rex Stout's mysteries even more than Agatha Christie's, and I've been a huge fan of hers since junior high. I adore Monsieur Poirot and Captain Hastings, Miss Marple and her various companions, but they really can't compare with the absolute uniqueness and perfection of Wolfe and Archie. If you are at all interested in reading a great detective novel, I highly recommend Fer-de-Lance or any other Nero Wolfe mystery, for that matter. While I haven't read the whole series (my goal!), I have read quite a few and have never been disappointed.

Mary Beth

{Review} The Color Purple by Alice Walker

"I think it pisses God off if you walk by
the color purple in a field somewhere
and don't notice it."

The Color Purple by Alice Walker
Published by Pocket, first published 1982
Paperback, 295 pages
ISBN 0671727796
Genres: adult fiction, African-American literature, classics, feminism, historical fiction, literary fiction

5/5 stars: I read The Color Purple a few years ago and was stunned. I had never read a book quite like this one. It is brutal to the senses and brutally honest. The characters are so very human. There is both a universality regarding the human experience and human development, and yet a very specific message regarding the experiences of African-Americans and Africans in the 19th and 20th centuries. Recently I decided to clean out my tbr shelf and read my own book collection in its entirety before moving on to outside sources. The Color Purple was in the top left corner of my living room bookcase and seemed a logical place to start. I thought I remembered a lot but to be honest, it was like reading it for the first time. There is no preparing yourself for Celie's narration. You just start reading, frequently reread portions, and keep going. One of the most amazing aspects of Alice Walker's writing, and I have noticed this in The Color Purple, By The Light Of My Father's Smile, and Now Is the Time to Open Your Heart, is that it's apparent nothing in her books is intended for superficial shock effect. Honestly, I don't know how she does it. Perhaps it is because of the strong introspection that takes place throughout all of her narration, I'm not sure. But however this is achieved, the characters develop organically and, most importantly, honestly allowing the dark aspects of their lives and souls to be revealed to the reader without confusion as to intent. Additionally, if the reader feels horror at Celie's memories and experiences (and one often does), it is a mere echo of what Celie herself thinks and feels. From the start she takes on the aspect of a historical figure, not a fictional character. It is very apparent that even though Celie specifically is not "real", she, as well as Sophia, Shug, and Netty to name a few, directly represent entire generations who did live in similar circumstances. This realization makes the story even more poignant and worth reading and rereading. The Color Purple is most recognized for discussing race relations and equal civil rights and treatment, and rightfully so. Sophia's experiences perhaps illustrate this the most clearly. It also has very strong feminist, spiritualist, and imperialist themes as well as an emphasis on social reform, which create a richer narrative in less than 300 pages than most authors can squeeze into 600. This is one of the most fantastic, thought-provoking and ethically-significant books I have ever read, and if you haven't read The Color Purple at all or it's been a while, I strongly recommend sending it to the top of your to-read list.

Mary Beth

{Review} Practical Magic by Alice Hoffman

Practical Magic by Alice Hoffman
Published by Putnam Adult, 1995
Hardcover, 244 pages
ISBN 0399140557
Genres: adult fiction, chick lit, contemporary fiction, fantasy, magic, magical realism, paranormal, romance, women's fiction

Synopsis (via Goodreads): For more than two hundred years, the Owens women had been blamed for everything that went wrong in their Massachusetts town. And Gillian and Sally endured that fate as well; as children, the sisters were outsiders. Their elderly aunts almost seemed to encourage the whispers of witchery, but all Gillian and Sally wanted was to escape. One would do so by marrying, the other by running away. But the bonds they shared brought them back-almost as if by magic...

My review: I got acquainted with Alice Hoffman early this year when I read her newest novel The Dovekeepers (which is fabulous). For some reason I was thinking it was her debut novel (don't ask me where I picked that up from, ha) so I was surprised when I looked her up on Goodreads and discovered she has been an established author for quite a long time. I have heard good things about the movie adaptation of Practical Magic and decided I would watch it... but only after reading the novel. School started so I finally got around to it last week, finishing it on Labor Day. I greatly enjoyed it and plan to continue reading everything by Alice Hoffman I can get my hands on. The story is much better than the synopsis above makes it sound and well worth the short amount of time it takes to read.

Sally and Gillian Owens are orphaned when they are ages five and three and taken in by two aunts who have a local reputation for witchery and spells, usually of the love variety. The little girls grow up knowing they're different, the other children at school and their parents making sure they never forget. The older the sisters get, though, the more they understand the magic their aunts wield is not imagined or exaggerated: it is very real and powerful. While the girls become used to the stream of women finding their way to the aunts' back door every evening in hopes of obtaining a cure for their less-than-satisfactory love lives, they are disturbed by it all the same. Gillian in particular, who during high school becomes a beauty and heart-breaker, is dissatisfied with what their guardians have to offer and takes solace in romance and rebellion. Sally is much more prudent and less selfish than her younger sister and eventually finds love with a young local. Bad choices and tragedy break the family apart, though, eventually reuniting them once again many years later.

The story is quite involved with many characters coming and going, though instead of confusing the plot this simply adds dimension to it. Sally and Gillian evolve throughout the novel, making promises and breaking them; alternately turning into the people they said they'd never be and striving towards who they need to be; having dreams and becoming disillusioned and yet against all odds finding hope once again. These experiences are common to every person and make the characters very easy to relate to and empathize with. This book also stirs up complex emotions because just like in real life, you can love someone, identify with them, and still want to smack them silly. Practical Magic has excellent pacing and development: you thoroughly get to know the characters and the lives they lead without getting tired of them. My only complaint is a minor one and it would be that closer to the end of the book Gillian's bedroom experiences with her boyfriend Ben are described, and it got a little cheesy. Okay, it was really cheesy. But just keep reading, don't dwell on it and you'll find this book to be extremely enjoyable and meaningful.

While this book has mainly female protagonists and is frequently labeled chick-lit, I think it is a book any adult could enjoy, especially if they already have a fondness for magical realism and contemporary fiction. It is not lengthy either, so a great deal of patience is not necessary. I'd love to hear your thoughts regarding Practical Magic, Alice Hoffman, the chick-lit label, and/or how the movie adaptation compares to the novel, as I haven't gotten around to watching it yet.

Mary Beth

{Review} The Night Circus: A Novel by Erin Morgenstern

The Night Circus: A Novel by Erin Morgenstern
Published by Doubleday, 2011
Hardcover, 387 pages
ISBN 0385534639
Genres: adult fiction, fantasy, historical fiction, magic, magical realism, paranormal, romance, YA

Summary (via Goodreads): The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per­formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.

My review: I enjoyed The Night Circus reasonably well. The descriptions of the circus creators’ parties, the circus itself, and the cities visited are marvelous. The characters are interesting and the lengthy span of time covered in the novel allows the reader to get to know them better than would otherwise be possible. The story is very involved with certain aspects becoming clearer and others more complicated the farther into the book you get. The circus is a magnificent creation on the part of the author and she clearly describes it so as to give the reader the feeling that they are really there eating licorice mice, visiting the striped tents, and being mesmerized by the magical shows found within.

My two favorite characters are Bailey Clarke, a young circus-goer, and Herr Friedrick Thiessen, a clockmaker. They are, I feel, the real heroes of the story and about the only ones I feel empathy for. Bailey is 10 years old the first time he visits the circus, immediately falling in love with it. Herr Thiessen develops such a deep connection with the circus that he begins writing articles about it and inadvertently forms a circus-lovers club of sorts. The rest of the characters are, as I mentioned, interesting, but I rarely felt any strong emotions towards them or about anything they did. I think one issue is a lack of character development. Celia and Marco don’t seem to ever change, and their parts in the ending were predictable and a little lackluster. Poppet and Widget, twins born into the circus, are sweet but they don’t significantly change either even though almost their whole lives are chronicled off and on.

The style of the book was rather aggravating and the constant jumping between characters, from city to city, and back and forth (and back and forth and back again) in time got very annoying. I enjoy books that jump around in time a bit and/or have flashbacks, etc. but this was just too much, especially since a whole “chapter” of the book would frequently only be one to two pages long. I feel that with a slightly more linear time frame my reading experience would have been greatly improved.

I suppose, though, my biggest problem with this book involves the basis of the plot: the magicians’ duel. What exactly was the point? The man in the grey suit (Alexander) and Prospero the Magician pit the two young people against each other, but why? What is their history? How many times have they done this? Was Prospero involved in one such duel earlier in his life? How old are they, anyway? Tsukiko enlightens the reader somewhat with her personal account and in one of the last sections of the book Widget and Alexander sit down together and talk, the latter giving a very slight explanation for what the duel was all about. Other than that, though, there really isn’t much information given. I don’t know if the author thought up this amazing premise and then had a hard time following through, or if she and her editor felt they couldn’t make the book any longer (it’s only 387 pages, though), or what happened, but I am pretty disappointed. I don’t hate this book by any means, and I would be interested in reading anything else Ms. Morgenstern writes next, but I don’t have any strong positive feelings about it either. The only people I would recommend this book to are those who are fast readers, have a good deal of patience, and already love fantasy and magic.

I would love to hear your thoughts on The Night Circus below and thank you so much for stopping by!

Mary Beth

{Review} The Shadow of the Wind by Carlos Ruiz Zafon

The Shadow of the Wind (El cementerio de los libros olvidados #1) by Carlos Ruiz Zafon; translated by Lucia Graves
Published by The Penguin Press HC, 2004 (originally published 2001)
Hardcover, 487 pages
ISBN 1594200106
Genres: adult fiction, fantasy, gothic novel, historical fiction, literary fiction, mystery, philosophy, thriller

Synopsis (via Goodreads): Barcelona, 1945—just after the war, a great world city lies in shadow, nursing its wounds, and a boy named Daniel awakes on his eleventh birthday to find that he can no longer remember his mother’s face. To console his only child, Daniel’s widowed father, an antiquarian book dealer, initiates him into the secret of the Cemetery of Forgotten Books, a library tended by Barcelona’s guild of rare-book dealers as a repository for books forgotten by the world, waiting for someone who will care about them again. Daniel’s father coaxes him to choose a volume from the spiraling labyrinth of shelves, one that, it is said, will have a special meaning for him. And Daniel so loves the novel he selects, The Shadow of the Wind by one Julian Carax, that he sets out to find the rest of Carax’s work. To his shock, he discovers that someone has been systematically destroying every copy of every book this author has written. In fact, he may have the last one in existence. Before Daniel knows it his seemingly innocent quest has opened a door into one of Barcelona’s darkest secrets, an epic story of murder, magic, madness and doomed love. And before long he realizes that if he doesn’t find out the truth about Julian Carax, he and those closest to him will suffer horribly.

My review: This novel is fantastic. Absolutely fantastic. I knew it would be one of this year's favorites before I was half-way through it. Between the fascinating story line, well-developed characters, and elegant style, The Shadow of the Wind is hard to compete with. What initially drew me in was discovering it is a book about books: a mysterious and secret Cemetery of Forgotten Books and a certain volume discovered within.  The main protagonist, Daniel, enthusiastically delves into this previously-forgotten novel and begins unraveling the mystery of its tormented author, leading to a years-long quest culminating in a stunning ending. This book is part adventure story, part mystery, part historical drama, part thriller, with a sprinkling of fantastical elements and philosophical questions. In addition, it is Daniel's coming-of-age story, bittersweet in that the reader re-experiences all of the doubts, questions and fears of growing up. It is, in my opinion, the perfect cross-genre piece.

The characters evolve and develop, becoming richer and more familiar the farther into the book the reader gets. They are unpredictable and so very human, each with their own temperaments, faults and dreams. I love that although Daniel is the main protagonist, the author has labored to make each and every character unique and indispensable to the plot. The cast of characters is pretty large, though instead of becoming a hindrance for the reader it simply makes the novel that much more enjoyable. Daniel is one of my favorite characters because he is compassionate, curious, and intelligent. Another favorite character would have to be Fermin, a man whom Daniel literally stumbles upon who has been living on the streets. He has an extremely shadowy past, more aliases than you can count, and a case of PTSD that would land a lesser man in a sanitarium (or worse); and yet, through it all, he has an indomitable spirit and an admirable code of honor.

This novel is set mainly in Barcelona, Spain with a small portion taking place in Paris, France. The imagery is incredible and it is obvious the author, who was born in Barcelona, is extremely knowledgeable about its geography. The streets of the two cities literally come alive and while I have always wanted to travel in Europe, my desire has rarely been stronger than while I was reading this novel. It was fascinating to read about life in Barcelona immediately following the Spanish Civil War: the still-apparent signs of destruction, the fragile state of politics on every level, the drudgery of a struggling economy, the deaths of loved ones still hanging in the air. The complexity and multi-faceted nature of The Shadow of the Wind is stunning.

I would strongly recommend reading this book; it is one I would love to own myself. I originally thought it was a stand-alone but am thrilled to report it is actually the first in a series! El cementerio de los libros olvidados (The Cemetery of Forgotten Books) series includes The Shadow of the Wind (#1), of course, The Angel's Game (#2), The Prisoner of Heaven (#3), and The Rose of Fire (#.5), the last being a short story available only in ebook form. I cannot wait to read and review the entire series, as well as Carlos Ruiz Zafon's other works.
Mary Beth

{Review} The Color of Magic (Discworld #1) by Terry Pratchett

The Color of Magic (Discworld #1) by Terry Pratchett
Published by HarperTorch (2000), originally published 1983
Paperback, 240 pages
ISBN 0061020710
Genres: adult fiction, adventure, fantasy, humor, magic, science fiction

Synopsis: The Color of Magic is the first book in the Discworld series, introducing the reader to Rincewind the wizard (of sorts), Twoflower the tourist, and the Discworld itself, of course, which is home to an eighth magical color, octarine. After a catastrophic fire tears through the Disc's twin cities, Ankh-Morpork, Rincewind and Twoflower are tossed into adventure after adventure involving trolls, heroes, gods, monsters, dragons, and an increasingly cranky piece of Luggage, eventually leading them to the very edge of the world.

My review: This was a fun book- a lighthearted, extremely humorous romp of a satire. Never taking itself seriously, it addresses some of the less savory bits of human nature and our world. Nothing is sacred in The Color of Magic and I think that's a bit of the point; it's certainly a book that aims to keep things in perspective for the reader.

I really like the characters, especially since Rincewind and Twoflower, the main protagonists, complement each other so well. Rincewind is cautious, a little paranoid (he has reason to be), very accident-prone, and just a little cynical. Twoflower is overly-confident, trusting, extremely optimistic, and apparently un-killable. It's amazing how a reader can identify equally with characters so diametrically opposed. I also adore the Luggage, a chest made of sapient pearwood with hundreds of little feet and a measure of sentience (not to mention a temper); it is more companion than inanimate object and has a story line all its own. There are a slew of characters and Mr. Pratchett weaves them in and out of the story so skillfully their entrances and exits don't disrupt the narrative in the least.

The tone of the novel is extremely enjoyable as it is intelligent but not superior. There is a magic about the narration that is reminiscent of children’s and YA novels, though Mr. Pratchett has here and there slipped in adult undertones (that tend to be quite funny). For so many of the incidents in this book being completely ludicrous, they come together to form a mostly coherent and very memorable story, which is about as much as anyone from Discworld can hope for.

I greatly enjoyed this book and I understand that Mr. Pratchett never intended to write a traditionally formulated story. However, the endlessly meandering nature of the narrative did, at times, slow me down and sap a little of my enthusiasm. A bit more direction would have been nice. I’ve heard, though, that a few of the wrinkles present in the first volume are ironed out later on, and Mr. Pratchett’s writing style becomes even better as the series progresses.

I would recommend The Color of Magic to just about anyone because even if they’re not already a fan of fantasy/science fiction, it’s a great introduction.

I’d love to hear your thoughts on Discworld and its lovely (and not-so-lovely) inhabitants, so please leave a comment below if you are so inclined. I hope you have an awesome evening!

Mary Beth

{Review} The Language of Flowers by Vanessa Diffenbaugh

The Language of Flowers by Vanessa Diffenbaugh
Published by Random House Publishing Group, 2011
Hardcover, 336 pages
ISBN 034552554X
Genres: adult fiction, contemporary fiction, literary fiction, romance, women's fiction, YA

Synopsis (via Goodreads): A mesmerizing, moving, and elegantly written debut novel, The Language of Flowers beautifully weaves past and present, creating a vivid portrait of an unforgettable woman whose gift for flowers helps her change the lives of others even as she struggles to overcome her own troubled past.

The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating grief, mistrust, and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system, Victoria has nowhere to go and sleeps in a public park, where she plants a small garden of her own. Soon a local florist discovers her talents, and Victoria realizes she has a gift for helping others through the flowers she chooses for them. But a mysterious vendor at the flower market has her questioning what’s been missing in her life, and when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness.

 My review: This is an interesting book and a fast read, though definitely not what I was expecting. I have an affection for the Victorian practice of using flowers to communicate (you can't get much more romantic than that - unless, of course, you're gifting thistles, but anyway...) but because I had been hearing the word "Victorian" so much in connection with this book, I was thinking it was going to be historical fiction. I know this was silly of me, but there it is. Confusion aside, it turns out this book does, in fact, have a potentially great story line, but I am disappointed in its execution and development. 

For one thing, I had a very hard time relating to the characters, mainly Victoria. Some of her experiences I can empathize with, like the postpartum depression (though, and here's my two cents' worth, that is still no excuse for leaving her baby all by herself for hours on end). However, she felt very inconsistent. I honestly couldn't keep up with her mood and personality changes. One moment she was remorseful, practically penitent, and the next hardened to the point of cruelty. And then back, and forth, and back again. I think if Victoria had been developed a little differently, explained a little sooner and more fully, or a third person narrator had been used, she may have seemed more believable. As she is, though, her character comes off as pretty two-dimensional, which is frustrating seeing as she's the main protagonist as well as the narrator.

There's also so much that isn't explained about Victoria and Grant's pasts. Victoria's is kind of glossed over after she leaves Elizabeth's care and Grant's is described as "lonely" and a couple similar adjectives, but there's never any real development in this regard. I also wanted to get to know more about the dynamics between Elizabeth and Catherine (and their mother), but I was left unsatisfied in this respect as well.

Maybe I'm being unreasonable (especially since this is the author's debut work), but these issues really got in the way of my fully enjoying the novel. I look forward to her next book but will probably never be interested in owning this one or reading it again.

Note: my mom is who recommended this book to me because she really enjoyed it. She was disappointed to hear I don't care for it and when I told her I hadn't given it a very good review, she told me to tell my readers that "she liked it and it's still worth reading". So you as my witness, I've passed along the message. Just in case she asks :)

Mary Beth

{Review} These Is My Words by Nancy E. Turner

These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901 (Sarah Agnes Prine #1) by Nancy E. Turner
Published by ReganBooks, 1998
Hardcover, 384 pages
ISBN 0060392258
Genres: adult fiction, adventure, historical fiction, literary fiction, romance, western, women's fiction

Synopsis (via Goodreads): Inspired by the author's original family memoirs, this absorbing story introduces us to the questing, indomitable Sarah Prine, one of the most memorable women ever to survive and prevail in the Arizona Territory of the late 1800s. As a child, a fiery young woman, and finally a caring mother, Sarah forges a life as full and fascinating as our deepest needs, our most secret hopes, and our grandest dreams. She rides Indian-style and shoots with deadly aim, greedily devours a treasure trove of leatherbound books, dreams of scarlet velvet and pearls, falls uneasily in love, and faces down fire, flood, Comanche raids, and other mortal perils with the unique courage that forged the character of the American West. This action-packed novel is also the story of a powerful, enduring love between Sarah and the dashing cavalry officer Captain Jack Elliot. Neither the vast distances traveled nor the harsh and killing terrains could quench the passion between them, and the loss and loneliness both suffer only strengthen their need for each other. While their love grows, the heartbreak and wonder of the frontier experience unfold in scene after scene: a wagon-train Sunday spent roasting quail on spits as Indians close in to attack; Sarah's silent encounter with an Indian brave, in which he shows her his way of respect; a dreadful discovery by a stream that changes Sarah forever; the hazards of a visit to Phoenix, a town as hot as the devil's frying pan; Sarah's joy in building a real home, sketching out rooms and wraparound porches. Sarah's story leads us into a vanished world that comes vividly to life again, while her struggles with work and home, love and responsibility resonate with those every woman faces today.

 My review: What a beautiful story - painfully beautiful and cathartic. The characters are entirely believable and enjoyable, so much so that I was hooked before I had even read fifteen pages. I adore Sarah: her spunk, honesty, sense of humor, the intensity of her love. She has a brimming personality and is someone I feel like I would want to be best friends with. And I think I fell a little in love with Captain Elliot. I cried when I finished the book (a couple times, so I'm extra glad I have a sympathetic husband :) because the ending is so bittersweet. I usually don't like endings like this one, but the entire book was written so well, so effectively (and unaffectedly), I won't dare to disagree with how the author chose to end her story. I will admit, though, that I was hoping it would have an "And they lived happily ever after" ending. Ah well, regardless of whether the story closed the way I wanted it to or not, These Is My Words is a poignant book well worth reading. I picked it up inexpensively at a book sale and was planning on trading it at the bookshop for credit, but after finishing it, I decided to hold on to it a while longer.

If you enjoy These Is My Words and would like to continue reading about Sarah, there are two more books in the series:

Sarah's Quilt

The Star Garden

and

I have not read the second two books so I can't tell you how they measure up to the first, but I am extremely interested in reading them. I just keep forgetting to put them on my book list when I go to the library...

What books have you been enjoying this week? Let me know below. Also, don't forget about the december book giveaway ending on 12/21!

Mary Beth

{Review} The Sherlockian: A Novel by Graham Moore

the novel in question

The Sherlockian: A Novel by Graham Moore
Published by Twelve, 2010
Hardcover, 350 pages
ISBN 0446572594
Genres: adult fiction, historical fiction, mystery, thriller

Synopsis: Harold White is a nervous, bumbling twenty-eight year old who has been in love with the stories of Sherlock Holmes since he was a child. He fancies himself a serious Sherlockian, though he is employed as a private consultant for certain film studios, employing his extensive knowledge of literature to help them when sued for plagiarism and such. He is thrilled to find out that he is being accepted into the Baker Street Irregulars, though his joy turns to shock when one of its most respected members appears to be murdered. The dead man is Alexander Cale, a Sherlockian who has dedicated his entire adult life to finding a diary written by Arthur Conan Doyle, missing for over a hundred years. Only a few months before his death, Mr. Cale had announced his having discovered the diary and his plan to unveil it to the Baker Street Irregulars. However, no such book is found upon his murder and Harold takes it upon himself to channel Sherlock Holmes and his theories to track down the diary and Cale's killer. A second story-line develops around Sir Arthur Conan Doyle himself, which spans several years. It begins with his throwing Sherlock Holmes off of the Reichenbach Falls, though ultimately channeling his creation's techniques when he is pulled into investigating the sordid murders of several young girls.

 My review: I started this book two weeks ago and finished it this afternoon, after having pushed my way through the majority of it over the weekend. I had to get some momentum going, otherwise it was in danger of ending up on my re-re-re-renewed shelf on Goodreads. I'm sorry to say I'm pretty disappointed. To be fair, The Sherlockian isn't terrible, especially seeing as it's the author's debut novel, but it didn't hold my attention especially well nor did it have any tidbits that put me on the edge of my seat.

The characters are not particularly engaging or relatable, and I felt no emotional attachment to any of them; this is a particularly disappointing aspect of the book for someone who has been known to fall in love with a fictional character or two (*ahem*). In fact, at certain points during the story I felt such intense dislike for Harold I wanted to cause him bodily harm, and I'm pretty sure that is not what the author is going for. I expected him to become a geeky, unlikely hero- you know, the inept, bumbling, lovable genius with no common sense and zero social skills who suddenly appears on the scene and, against all odds, saves the day. Well, he is certainly bumbling but not lovable. All of the characters are also strangely two-dimensional, especially Sarah Lindsay, who accompanies Harold on his quest and should have developed dramatically throughout the book. Her becoming Harold's love interest was also sadly predictable as well as completely unbelievable.

To be honest, the chapters involving Arthur Conan Doyle are a little bizarre. Sir Conan Doyle did, in fact, assist Scotland Yard with some of their cases, but in the novel his experiences are portrayed as being melodramatic beyond belief. It also feels a little libelous to have a well-known historical figure be portrayed as a cross-dressing, gun-toting vigilante (who fires said gun directly at someone's head, no less). I understand the author is taking an "artistic liberty", but there must be a limit somewhere. In addition, the facts about Sir Conan Doyle's life are given in the tone of an almanac: dry and succinct, reminders to the reader that they are, in fact, reading about the real-life author of Sherlock Holmes.

While I don't feel this book was a complete waste of time, and there are some semi-interesting plot points, I would recommend it only to those who (a) already have an intense love for Holmes and Doyle, (b) don't mind a fairly slow story, and (c) don't have high expectations of books belonging to the "historical fiction" genre. This was a fairly strong start to Graham Moore's writing career, and I look forward to his future works, though The Sherlockian is ultimately underdeveloped and forgettable.

Mary Beth